I am a Christian children’s and YA author living and writing in Sydney, Australia. My little red brick house is about an hour’s train ride from the Harbour Bridge and the famous white sails of the Opera House. There are no kangaroos jumping around our street, no koalas in the gum trees beyond our back fence, and apart from the lorikeets and cockatoos I get to watch as I write, being a children’s writer in Australia may seem quite similar to being a writer anywhere else in the world.
Category: The Influence of Christian Faith Page 3 of 15
Whether it’s waiting out COVID-19 or waiting for a writing-related project, you may be in God’s waiting room today. Have you been praying for something, waiting for an answer, hoping your circumstances will change? Are you waiting for an agent? A book contract? Maybe you’re waiting to save enough money to attend a writers’ conference. Or you’re waiting for feedback from a writing contest you entered.
“It is necessary to be hopeful to write successfully for children, yes, because children themselves are generically hopeful, but the quality of hopefulness is not an immature quality.” -Natalie Babbitt ( pp 42)
Natalie Babbitt’s book Barking with the Big Dogs is a collection of her essays and speeches written over several years. In all the various topics she focuses on, from types of fantasies to critical thinking to childhood itself, there are two major themes that pop up repeatedly: hope and honesty.
Hope is woven into the very nature of children’s books. Babbitt kicks off with an essay on happy endings and explains that children’s literature contains a quality of joy adult fiction lacks. In fantasy for kids, the belief that the world can and will be better is proven true. What is a happy ending if not a proof of hope? The villain can be defeated, the ordinary child can be a hero, and the world can be saved. Hope and optimism reign in children’s literature.
Does this mean that children’s books must present utopias?
Absolutely not. Natalie Babbitt claims that when authors try to write perfect worlds, they instead create worlds that are, “patently artificial, a placebo, lacking. . . consistency with the author’s philosophy” (37). In order to escape the one-dimensional depictions of life, Babbitt explains that authors need to write with “as much honesty and skill as we can muster,” (40).
She argues that we need to write stories that have flawed characters and flawed worlds, because flaws are part of human nature. But she also writes that we need to write authentically within our worldview. If we try to write what we don’t believe, we rob our stories of depth.
Herein lies the important message for Christian authors. For Christians, a huge part of writing truthfully is writing hopefully. Hope and honesty go hand in hand for us.
Natalie Babbitt misses this connection between the two. She writes, “it seems a peculiarly contradictory thing for the Bible to say in one place that truth is liberating when in another place it puts hope on a level with faith and charity. . . For hope and truth don’t always go together” (108).
However, hope and honesty are inseparable.
As Christians, the truth we cling to is our hope. God overcomes our greatest fears with His power and promises. The hope of eternity stands in defiance to death, the promise of God’s provision quiets our daily worries, and prayer itself brings us to God’s throne when we face trials.
Babbitt views as a contradiction something she doesn’t understand. She doesn’t recognize a solid hope. Her hope seems to be simply defined as the belief in possibility. She writes, “Life is infinitely more interesting when we can believe in the possibility of something wonderful just over the next hill” (110).
For Christians, hope is so much deeper. We know that something wonderful lies over the next hill. We know that the God of the universe is sustaining His creation. The son of God came to bring us life, and He’s coming again soon. His resurrection is the promise that everything broken will be renewed. A new heaven, a new earth, and a life forever with Him. What greater hope could we ask for?
Therefore, since we have such hope, the only honest way we can write is with that same joy. Hope and honesty should define Christian fiction.
Perhaps more than any other authors, we have the ability to write happy endings authentically. We believe in the greatest happy ending the world will ever know. The ultimate defeat of evil, ordinary people chosen by God for great tasks, and the world forever saved.
As we enter Easter week, may we reflect on the incredible hope that Jesus has brought to the world. May our hope and honesty in our writing be a light in the darkness.
What about the book itself? Natalie Babbitt’s essay collection wasn’t what I expected. While the essays usually focus on discussions around children’s literature, they also tap into Babbitt’s philosophy on life. Her words are instructional at times, but are more personal at others. If you choose to read this book, pick it up as an opportunity to hear the perspective of a fellow author. You’ll learn far more from her words if you view it as a conversation rather than as a lesson.
Overall, I give her book 3 1/2 out of 5 stars. She makes some strong points, but there are still lulls in the book, as well as points that seem out of place or repetitive.