Write2Ignite

Write2Ignite 2019 is history, but now your work begins! We hope you’re primed and ready to tackle a new project or pull out an old one that needs editing and polishing.

No matter how well we write, we all need someone with an objective perspective to critique our books. That’s why writing critique partners and groups are so valuable to us.

Still, we need to be careful. How do we process the feedback we receive? What is the background or experience of the people offering their critique?

We need to be especially intentional about the people we hire to edit our books. Are they familiar with the contemporary publishing industry? Someone with an in-depth knowledge of English or even classic literature may not be the best individual to edit our books. Which brings us to English teachers…

English teachers as editors?

At first blush, an English teacher sounds like the perfect editor. But the grammar and punctuation rules a teacher may follow might not be the same as those used by editors familiar with contemporary books in your genre.

For example, most of us were taught that sentence fragments are inappropriate. Yet they’re in frequent use today. And many classic literary works are heavy on flowery descriptions which contemporary fiction readers tend to pass over. As Elmore Leonard once said, “When you write, try to leave out all the parts readers skip.”

Additionally, English teachers frequently encourage creative substitutes for the word “said.” However, in today’s publishing world “said” is better to be as invisible as possible. An even better choice is to replace it with physical beats. For example:

“No way!” Mary exclaimed.

As opposed to:

Mary slammed her fist on the table. “No way!”

Another example is the use of punctuation. From the perspective of an English teacher, semi-colons can be correctly used in fiction. However, in contemporary publishing, semi-colons are often discouraged in fiction. Why? They tend to pull the reader out of the story.

All that to say English teachers can be great editors as long as they also understand the current publishing environment.

Of course, they can be terrific at critiquing plot flow and character development. And they would also serve well as beta readers to provide feedback on whether your book held their interest.

So, definitely seek out critique partners and editors. But don’t make your choice based on titles or vocations. And when it comes to hiring an editor, connect with the individual to determine if they’re the right person to edit your work.

Bottom line: understand your genre’s standards and ensure your editor understands them, too!