Some stories — even if written during a different time — are applicable to every generation of teens because they help with interpreting culture.
First published in 1967, The Outsiders, by S.E. Hinton, has inspired readers for more than 50 years. Hinton, just fifteen years old when she began writing the book, was inspired by her high school experience.
“Looking back, I realize how important it was to me to have another life at that time. To be someone else,” Hinton wrote in the introduction to the novel’s platinum edition. “To deal with problems I had to face, and write my way to some sort of understanding and coping. … I desperately wanted something to read that dealt realistically with teenage life.”
As one of the first novels to be labeled a young adult novel, The Outsiders received (and continues to receive) backlash because of its reference to gang violence, underage drinking and smoking, strong language/slang, and portrayal of dysfunctional families. However, this novel proves to be a paradox, as it is simultaneously banned from school libraries and used in English classrooms across the country.
The Outsiders focuses on main character Ponyboy (Pony) Curtis, a fourteen-year-old orphan growing up as a “greaser” — named for their greasy hair — in Tulsa, Oklahoma. Throughout the book, Pony struggles to find his place in a world divided by class. As greasers, Pony, his brothers, and his friends struggle to make ends meet and often find themselves at war with Socs — wealthier teens from the other side of town.
Keep in mind that Hinton wrote this book in an effort to “write (her) way to some sort of understanding and coping” with what was happening in her own life. Published when she was just seventeen, The Outsiders is not an adult’s interpretation of teen life in the ‘60s — it is one teen’s attempt to make sense of the world around her.
I first read Hinton’s book when I was a teenager, around fifteen or sixteen. Up to that point, I’d mostly read Christian fiction, books assigned to me in school, and dystopian fiction (a popular genre in the early 2010s). The Outsiders impacted me in a different way than anything I’d ever read before because it was honest; Hinton didn’t shy away from difficult topics like domestic abuse and classism.
Hinton’s rawness and ability to face difficult topics head-on inspired much of my writing as a teen; writing about my world helped me cope, just as writing The Outsiders helped Hinton.
I’ve been thinking about this book for the past decade, wondering why it impacted me the way it did, and I think it boils down to culture.
“While it is not strictly true to say that fundamentalist (Christians) ‘condemned culture,’ full stop, perhaps it is fair to say that their attitude toward culture — their basic posture — was one of suspicion and condemnation toward any human activity not explicitly justified on biblical grounds and engaged in by fully converted Christians,” Andy Crouch wrote in his book Culture Making: Recovering Our Creative Calling.
This statement, along with an entire chapter examining fundamentalist Christianity’s posture toward culture, made me realize something: many fundamentalist Christians are quick to condemn anything not mentioned as holy in scripture — myself included.
Culture, for many Christians, is viewed as something that you can remove yourself from. Derived from a passage from John 17, the belief that Christians should be in the world, but not of the world is often interpreted as meaning Christians should not engage with culture. Later in John 17, Jesus prays, “I do not ask that you take them out of the world, but that you keep them from the evil one.”
Executive Editor of desiringGod.org David Mathis suggests that this phrase should be interpreted as Christians being sent into the world with a mission rather than “being mainly on a mission to disassociate from this world.”
We cannot hide from culture — it is all around us, whether we choose to actively participate in certain activities or not. Hinton didn’t participate in gang fights or underage drinking and smoking as a teen; she was dismayed by her observations of culture. Writing The Outsiders was her way of making sense of the world around her.
It is worth noting that while The Outsiders does include the unsavory parts of teen culture in 1960s Oklahoma, it also includes positive elements of redemption, friendship, and sacrifice. It interprets, not condones, culture.
So what does this mean for us as Christian writers of children’s and young adult literature? It means that we should write truthfully about what is happening in the world. As Christians, we are on a mission to share the good news of Jesus Christ with those who have not heard it. The gospel helps us make sense of the world, but it does not take us away from the world — not until eternity. It gives us something to hope for and values to live by.
Every generation of teens will face different cultural trends that they need to make sense of. Right now, we’re seeing protests against police brutality, calls for racial equality and LGBTQ rights, a receding economy, and fear from the global COVID-19 pandemic, all during a tumultuous election year. How can you help your children, teenagers, or readers interpret current events?
As a writer, you have the challenge of interpreting culture through the lens of the gospel for your readers. Don’t shy away from the messy parts of life — teens experience a lot of things that they need help interpreting. Reading your work may be what they need to understand and cope with their worlds.
What are your thoughts? I’d love to hear what you think in the comments below.