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Decisions, Decisions

Here’s a sneak peek at conference presenters with descriptions in their own words. We’ll be posting a teaser page each  Monday. You still have time to take advantage of the Early Bird Discount.

Visit: https://write2ignite.com/registration-2019/

 

Kim Peterson – Deepen Your Middle Grade & Young Adult Novels

In this hands-on workshop, explore how to make your MG and YA novels more compelling. First, determine your novel’s theme and learn ways to reveal that message to the readers, making it memorable. Then, get to know your characters better by deepening characterization: explore your characters’ goals, what motivates them to pursue those goals, and how conflict grows your characters as they overcome obstacles. Finally, transport your readers into your
novel’s setting. Whether your characters visit the past, the present, the future, or a new land, learn how to create a place your readers want to visit often.

 

Nancy Lohr – Read Like a Writer

Just as athletes watch game tapes to study other athletes, writers need to analyze the work of other writers. You should read widely and read well both for inspiration and instruction. Whether intuitively or intentionally, writers need to read with a different focus and greater awareness than the average reader does. This workshop will examine various techniques for reading like a writer.

Attention Teens! Carol Baldwin – Creating a Sensory Setting

The Lord has given us five senses. So, why do we just describe things which our characters see? In this hands-on workshop we’ll touch, taste, hear, smell, AND see things that our characters may experience in different settings.

 

 

 

How I Turned a Facebook Page Into a Weekly Storytelling Medium.

I  give you a box with an “ON” switch in the palm of your hand.
I then tell you to close your eyes and think about a couple of those
publishing ideas you’ve been kicking around. While your eyes are still closed, I task you to choose one of those ideas…the one story you feel most people have the most excitement for.

You choose that one topic and then you open your eyes! Now you immediately flip the switch and you discover that what you’ve actually launched with that switch was…your own weekly magazine with content based on the idea you chose! This magazine you just published is full color, distributed all over the nation and has an audience that loving greats you each week, ready to consume more content related to your story.

If something like this is real, it simply couldn’t be free. And it’s not. What it costs is a little time, in exchange for your first 1,000 readers. Attend “How I Turned a Facebook Page Into a Weekly Storytelling Medium” and you will leave with a roadmap that reflects how Tony converted a Facebook business page into a weekly publication with an audience of readers from 0 to 5,000 people. No tricks or internet shortcuts, but proven steps applied to a modern reading platform.

Samantha Bell – Polishing Your Picture Book

You finally have the text of your picture book down on paper. You’ve heard every manuscript should be revised, but yours is only a few hundred words long. What more could it need? You’ll find out in Polishing Your Picture Book! In this workshop, attendees may bring along a copy of their works-in-progress. As a group, we’ll read as many as time allows. Then we’ll consider ways to polish the manuscript to get it ready for submission. Even if your story is still in the idea stage, you’ll learn valuable tips for writing your own picture book!  

 

 

Daniel Blackaby – Tolkien, Lewis, & Christian Imagination

Daniel Blackaby

How would you feel if your best friends called your book “almost worthless” or a “carelessly written jumble”? This was J. R. R. Tolkien’s review of C. S. Lewis’ The Lion, the Witch, and the Wardrobe. The two dear friends are forever linked together as fathers of Christian fiction and Art, but each had a radically different idea of what Christian fiction should be. Their greatest legacy was not to establish a narrow template for Christian writers to follow, but to demonstrate that there is no template. In this seminar, Daniel Blackaby will explore these two vastly different approaches and showcase the great freedom you have as a Christian writer. 

 

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Sneak Peek: Samantha Bell’s Presentation for W2I 2018

You’ve finished your picture book manuscript. You’ve read it over and over again, and you’ve revised it several times. The children in your life love it. You’ve even had a writing friend or two critique it for you. Finally, it’s ready to submit . . . or is it?

In my workshop “Polishing Your Picture Book,” we’ll read manuscripts and discuss how they can be polished even more. At the start of the class, brave attendees may submit their manuscripts; we’ll go over as many as time allows. We’ll examine things like word count, word choice, dialogue, pacing, story arc, illustration possibilities, and more. We’ll also discuss possible markets for the stories. If you’re not quite feeling up to the challenge, don’t worry—you don’t have to submit anything! Come to this informative discussion, and learn what makes a good picture book manuscript even better.

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Author and illustrator Samantha Bell signed her first contract to illustrate a picture book in 2007. Since then, she has illustrated twenty more, including four of her own. She’s also the author of numerous nonfiction books for children and a regular contributor for Clubhouse Jr. and Kid’s Ark. You can find her online at SamanthaSBell.com

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More Than Just the Facts, Ma’am

When you think about writing for children, you might picture stacks of picture books or a shelf full of novels. But did you know there’s a large nonfiction market as well? In my workshop session “More Than Just the Facts, Ma’am,” I’m going to introduce you to the world of children’s nonfiction and educational publishing.

There’s more to writing for the educational market than just getting your facts right. In the workshop, you’ll not only discover how to find reliable sources but also learn how to submit to publishers and book packagers, write for a particular reading level, complete work-for-hire assignments, communicate with editors, deal with revisions, and—of course—get more assignments. In three years, I’ve been blessed to have the opportunity to write over 60 books with topics ranging from frog hotels to surviving on a deserted island.

But we can’t forget the picture book! Join me in the workshop “15 Things Not to Do When Writing a Picture Book.” I’ll take you through the picture-book-making process from both an author’s and illustrator’s point of view. You’ll also learn about some common mistakes to avoid as you write for younger readers.

Can’t wait to see you in March!

 

Samantha Bell writes nonfiction books for the educational market and is a regular nonfiction contributor for Clubhouse Jr. magazine. She’s the author/illustrator of 4 picture books and the illustrator of 14 picture books. The best part: her 12-year-old thinks she knows everything!

 

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Ten Things NOT to Do When Writing a Picture Book

011Do you have a picture book in the works? If so, you know picture books are a lot harder to write than most people think. Whether you’re just starting to write your manuscript or are in the final stages of revision, here are some things not to do:

  1. Don’t write down to children. Children are smarter than we think! And since picture books are designed to be shared aloud with children, vocabulary and word choice don’t have to match reading levels.
  2. Don’t think about only the words. Illustrations are half of a picture book. The two should work together to create a story.
  3. Don’t write too much dialogue. Dialogue is difficult to illustrate.
  4. Don’t include too much description. Leave some room for the illustrator to work his or her magic with your manuscript.
  5. Don’t have a passive main character. Your main character needs to take action!
  6. Don’t have a parent or another adult resolve the conflict in the story. Your main character should be the problem solver.
  7. Don’t write stories about a dream. Endings where the main character wakes up to realize it was all a dream are often disappointing and unsatisfying to the reader.
  8. Don’t forget to include all elements of the plot. It’s a picture book, and it’s short, but it still needs to be engaging.
  9. Don’t send off your first draft. Or your second. Or your third. Polish it over and over until it shines!
  10. Don’t give up if you receive a rejection. Keep writing and submitting!