How to Get $1.49’s Worth of Writing Advice

Jean Fritz. If you know her work, you’ll be smiling at the mere mention of her name. Her humor has wooed and wowed millions of kids into learning American history. I want to be her when (if) I grow up. See that book below? You can get it for $1.49—what are you waiting for? Didn’t you see all those 5-star reviews? This book (the one pictured below) is about King George and it deserves every single one of those stars. Did you know he had pigeon toes? You need to read this book to help you understand the American Revolution and pigeon toes. A book that can do both is rare indeed.

One of Jean’s books.

If You Want to Write Nonfiction for Kids, Fritz Out

Even if you don’t want to be funny, studying Jean’s style and selection of material will help you improve your writing. Later I make a list of a few reasons her writing is phenomenal, but I learn best by doing and maybe you do too. So please buy a book and make your own list. If you don’t have $1.49, check her books out of the library—they will be there, I promise. Or use the “Look Inside” feature of Amazon and peek, but then buy them. (If you don’t have $1.49 contact me, and we’ll remedy that.)

What’s the Deal About Questions?

So this one is the first one I read in 1997 when I was home-schooling my daughter, Danielle. (My girl lives in Australia now, and I feel sorry for each and every Australian elementary school student, because Jean Fritz didn’t write books on Australian history.) The first thing I want to note is many of Jean’s books ask a question. For example: What’s the Big Idea, Ben Franklin? and Where Do You Think You’re Going, Christopher Columbus? If the title isn’t a question, then it’s something provocative such as Bully for You, Teddy Roosevelt. This makes kids want to read to find out more.

The next thing Jean does is open with kid-friendly information. (Remember the pigeon toes in the King George book?) The Paul Revere book mentions a pickled pirate head on a stick. How can any boy resist that? The John Hancock book opens with a wishing rock.

Jean’s stories are approachable because she has a breezy style. Her sentences can be long, but they flow so nicely along you feel as if you’re wandering down a nice country lane.

I’ll also praise Jean for her vocabulary for kids. For instance: “[Paul Revere’s father] made beads, rings, lockets, bracelets, buttons, medals, pitchers, teapots, spoons, sugar baskets, ewers, porringers, shoe buckles, and candle sticks” (emphasis added). Jean doesn’t mess around with her vocabulary and calls a spade a spade and a jug an ewer, when that’s the word they would have used. But even if you don’t know what a porringer is (a shallow metal dish with a fancy handle), you still get the gist of the sentence. She doesn’t use hifalutin language if it interferes with comprehension. I hold on to this approach when editors challenge me. Recently I wrote a book about a giantess with a bow and arrow. You don’t load an arrow, you nock it. So I nocked, because Jean would have. Didn’t even flinch when the editor suggested I change it.

No Fake News with Fritz

And finally, someone obsessed with research can always win my heart. This is what the NYT says about her books: “Hallmarks of her work, critics agreed, included her fleet, engaging prose and prodigious archival research. (Mrs. Fritz would put no dialogue into her subjects’ mouths unless it was attested in original sources like letters and diaries.)” So you can see why I adore her. You should too.

The A to Z on Fritz

The A is for her autobiography in which she tells about her life in China. F.A.S.C.I.N.A.T.I.N.G. It was the runner-up for the Newbery in 1983, and that rarely happens for nonfiction. (Her parents were missionaries and she attended Wheaton College.) You can buy this literary gem for $1.40.

The Z is for FritZ. Names with the letter Z are memorable and funny. (There’s a Moravian missionary named Count Zinzendorf, and he’s a very serious person but those two Zs in his name make me laugh as well as remember his name.) Anyway, the Z in Fritz now also represents The End. She left us in 2017. It’s kind of okay because she was 101. And she had already written an autobiography so we can find out about her, and she had won so many awards that now the rest of us who write on history have a chance. But even though Jean is “asleep” (as the New Testament calls the in-between stage), I still might get to meet her when we rub our resurrected, renewed elbows in the New Heaven—or will it be on the New Earth? (I’m not quite sure what’s going to happen.) I wish Jean could add to her autobiography and tell us what it’s like. It might even get her that Newbery.

Marianne Hering

Marianne Hering was a founding editor of Focus on the Family Clubhouse magazine in 1987. Since then she’s been writing for children and editing Christian books for adults. Find out more about the Imagination Station book series that has sold more than 1 million copies at MarianneHering.com. Follow her on Facebook and Instagram. (P.S. She’s still waiting to hear back from a publisher about the Fiery Furnace manuscript she sent in February 18, 2022. The last she heard was that marketing was going to do a survey to find out if parents really wanted their kids reading her stuff as it’s usually not for the feint of heart.)

When Do I Need to Hire a Fiction Writing Coach?

The short answer is NOW! The long answer is NOW!

A writing coach may seem expensive, but the experience will be less expensive than hiring an editor to fix it (and who won’t coach you along the way). You also may pay the price of not seeing your book get picked up by a publisher. And the worst outcome: Your writing is so poor your readers won’t finish the book, and as a result, your message is lost. Imagine a bunch of eight-year-olds trying to learn soccer without a coach. You may be just as vulnerable.

Photo by Adrià Crehuet Cano on Unsplash

The best times to hire a writing coach

Time #1: When you are choosing your Point Of View (POV). There are so many options now in modern writing that having a coach help you evaluate those options is paramount. Your coach may ask you to write the same chapter in one or two differing POVs. He may be able to point out nuances that you hadn’t considered. The end result of the coaching will be this: You’ll have the confidence and skills to maintain a consistent POV throughout your work. You’ll understand the strengths of your POV and lean into those to create a compelling story. (If you don’t know what a POV is, stop reading and hire a coach or attend a conference where you can learn.)

Time #2:Refining the POV and your voice for this project. A good coach will help you develop a style and utilize your POV to create a powerful body of work. She will work with you until you have a few chapters that captivate readers (and hopefully an acquiring editor). For those who are not naturally gifted writers (that’s me!), developing a voice often requires putting in your 10,000 hours, à la Malcolm Gladwell’s Outliers. A coach can help you shave off thousands of those “learning” hours.

Time #3: After you have written your outline. An experienced coach will be a sounding board for the entire scope of the work. The goal is to make sure that your efforts will lead to (a) fewer rewrites and (b) a riveting novel. There are some helpful novel-writing books that will help you do this. I recommend you read at least three before hiring a coach so you have some of the same language to discuss your approach. And learning to write takes TIME. No shortcuts exist. (See my blogs on Save the Cat and Story Genius to read about my two current favorite how-to-plot-a-book books.)

Time #4: To help you determine if your grammar, tense, style, tone, pacing (aka voice) are at a professional level. Trust me, if you can learn to write a great sentence, you can learn to self-edit. But you might need a coach to help you get there. Paying for an hour to have someone evaluate your overall writing quality may be a shock when you read his evaluation, but knowing where you need to improve can save hours and dollars down the road. (See my blog on writing good sentences for some advice in that area.) Most of my clients struggle with getting verb tenses correct. Having someone explain that one-on-one is more helpful than reading a grammar book.

Time #5: You might not need a coach today, but you most likely will at some point if you aspire to a professional and prolific career. I’m hiring a coach to help me step into the almost-but-not-quite YA writing space since I’ve camped out at the second-grade reading level for so long. I’m also trying to create a four-book story arc with multiple protagonists—and I’m definitely over my head. Having an established relationship with a coach who can help when you really need it is a plus. I’m thankful I know just whom to ask for that evaluation.

Writer’s Groups vs. Hiring a Writing Coach

You may think that being in a writer’s group offers the same quality of coaching as hiring a professional. I’ve been in three writer’s groups. Two were helpful. One was harmful to the point of being toxic. I hear you: writer’s groups are free-ish ad coaches are not. However, it does take time to read and give feedback on another person’s writing. They can be expensive—not in dollars, but in absorbing misinformation. Let me be frank, there may be no stupid questions, but there is plenty of stupid advice.

For example, many people who read my Imagination Station books offer me advice on how I create my speaker attributions. They want more adverbs—”Dragon’s blood is in aisle 7 next to the vampire’s emergency stock,” the grocery checker said wittily. One wanted more variety instead of using the utilitarian “said”—”Eating dragon’s blood will clog your arteries,” he expostulated. Or they want me to drop them altogether. But for my target audience (young struggling readers), “she said,” or “he asked,” keeps the reading predictable, and the readers can focus and absorb other information such as descriptions and dialogue. I just smile and nod when someone tells me to make changes or when I receive a well-intentioned letter from a home-school mom (whose 9-year-old kid is reading at the college level).

Getting a writing coach’s opinion on your work and comparing it to your writers group can help you evaluate the quality of advice you’re getting in your group.

How do I pick a fiction writing coach and what is a reasonable rate?

That will be the topic of next month’s blog. IF YOU HAVE HAD A POSITIVE OR A NEGATIVE COACHING EXPERIENCE, TELL ME ABOUT IT in the comments below or by emailing me at HeLovesMeBooks@gmail.com.

Marianne Hering

Marianne Hering was a founding editor of Focus on the Family Clubhouse magazine. Since then she’s been writing for children and editing Christian books for adults. Find out more about the Imagination Station book series that has sold more than 1 million copies at MarianneHering.com. (Unfortunately, her schedule is tied up until July 1, so she can’t offer any free consultations at this time. She can’t even accept clients now, so rest assured, this blog isn’t to solicit business.) Follow her on Facebook and Instagram. (P.S. She’s still waiting to hear back from a publisher about the Fiery Furnace manuscript she sent in February 18, 2022. Sigh and double sigh.)