
By now, you’ve probably seen Linus tell Charlie Brown what Christmas is all about, seen Snoopy reunite with his brother Spike, and felt empathy for poor Rerun who is probably still stuck on that bike. For many, it’s tradition to watch the Charlie Brown Christmas Specials every year. And for many, it is the only medium where Schulz’s work is still consumed. But the great cartoonist didn’t start off making classic television specials. In 1950, when he was just two years younger than me (27) he sold his first strip of Peanuts. According to David Michaelis in the first volume of The Complete Peanuts, “At the peak of Schulz’s popularity, Peanuts captured three hundred and fifty-five million readers, and the merchandising of the brand created a franchise unlike any the funny papers had ever known, with the cartoonist himself earning from $30 million to $40 million a year.†So take that kite out of the tree, play some soft jazz in the background, and cuddle up with a warm puppy. It’s time to talk about what writers can learn from Charles Schulz.
Characters
As writers for children, what better cast of characters to learn from than the iconic Peanuts gang? Charlie Brown, Snoopy, Linus, Lucy, Pig Pen, Schroeder, Peppermint Patty, and Marcie. The first and most obvious lesson Charles Schulz can teach us is about characters. While editors warn us about having children in our stories as adults in disguise, let us appreciate the genius of Schulz who makes children think like adults. They never offered lessons to each other (except for perhaps the previously mentioned Christmas scene), but instead they all wanted to be little adults. Charlie Brown is melancholy yet wants to be great. Linus was precocious, yet still literally clung to his security blanket. Schroder played sophisticated classical music…on his children’s play piano. Not only are these characters unique, but they all have depth to them. A certain twist of irony. A dog is the best baseball player. Lucy wants to be sweet and lovely, but she can cut you down by word or fist. It is important to remember that while adults can look at children’s problems as miniscule or simple, children don’t feel this way. A child can feel as deep of betrayal as an adult can. Kids have big feelings they need to process, and they usually process them by talking to their peers. Which is why Lucy’s advice stand is making a killing. While we should try to encourage children to listen to adults, we all know deep down that when adults talk, all children hear is, “Wah wah wah wah.â€
Condensed storytelling
Something else we can learn from Schulz is condensed storytelling. Think you need hundreds of pages to tell a story? Think again. Most Peanuts strips are three panels, with just a few words if necessary. At over 17,000 strips over almost 5 decades, Peanuts is either the longest graphic novel ever, or it is a long-running series of short stories. I tend to believe the latter because you can pop into any strip, no matter what came before or after, and still get the joke. Because the story works on its own. Take this panel for example. In just 28 words, Schulz tells one of the funniest jokes ever. For a cartoonist, Schulz was competing against a short attention span among readers. There was plenty of other strips to read, not to mention the sports section, headlines, features, politics, obituaries, etc. Sound familiar? Our entire social media feeds are just like the newspapers of old, each section trying their hardest to get your attention. If you want a child to pick up your story and see it through to the end, be concise. Be hilarious. Be like Schulz.
No angels allowed
While many of the Peanuts gang are cute, it is important to remember one tiny detail: they can all be a bit rude. While we laugh off insults like “blockhead†Schulz let his kids be kids. They were imperfect. Sometimes selfish, mean, and violent. Now I’m not saying they are brats, but they have their flaws. Which makes them all the more lovable. Many children in stories today are disrespectful, crude, and downright naughty. While you shouldn’t make your characters like Gregg Hefley or George and Herald from Captain Underpants, you should also be careful to remove that halo above your characters. Because no one ever learned a lesson by doing what was right the first time around. Sadly, we as humans learn from our mistakes. So don’t be afraid to have your characters lose their temper, get the blues, or threaten to slug someone. Just make sure they have redeeming qualities in the end. Good grief!
What is your favorite moment from the Charlie Brown specials? My mom’s favorite, is “I wasn’t made for winter!â€
Let me know in the comments below!

Just like his two older brothers, Kyle Morgan was homeschooled from Kindergarten through High School. When he is not busy writing, the next classic children’s book, Kyle loves spending time with his family, all things baseball, and watching black and white movies. He is a monthly contributor to Write2Ignite where he blogs about writing for children. His work has appeared in The Old Schoolhouse Magazine, The Caldwell Perspective and StarLight Magazine. You can check out his Facebook page or follow him on Instagram.







